Sunday, April 11, 2010

Stay at Home Retreat: Health, Poetry and Spiritual Inquiry


When I told my friend, Caifornia-based poet Ellaraine Lockie that I had finished a four-day stay at home retreat, she suggested I write about it, that other writers might like to know how and what I did.

Well you can imagine that two things which inspired this kind retreat (as opposed to traveling somewhere) were time and money, or rather lack of it. In the last three months, I have already traveled to Mexico with family, and then to NYC with daughter for a college visit, therefore my travel time and budget were used up for the next few months at least.

Some aspects of my lifestyle worked in my favor. I have a creative and supportive family who understands the importance of pursuing art and spiritual contemplative study. This was important—I didn’t have lots of loud people in my periphery, people asking me to do things for them or meet their needs.

I live on a beautiful farm and especially this time of year the cherry tree in front of the house is in full bloom and the pastures around the house are bright green. Because I live here all the time, I think I forget, or take for granted, how beautiful Cumberland County Kentucky is. Often times I think about all of the places I would rather be. This time was an opportunity to settle in to a remembrance of the beauty of my own backyard.

Earlier in the year I posted photos of my beautiful new writing space, well-lit with big windows and bird feeders. So, while the beach is always calling me, my own humble home is also a place of tremendous inspiration. My muse is on call 24/7, it’s helpful to be reminded that I do not have to travel to exotic places or place myself in complete isolation to find her.

More or less the retreat, or any retreat for that matter, was more of a mindset, and in some ways even a form of clever trickery. An agreement perhaps, or a commitment of sorts. I scheduled the four-day block well-ahead of time. I wrote it on my calendar just as I would any other time important commitment, and I informed my family that this event would be taking place. I arranged my work schedule accordingly, and yes, I had to say no to a few things. For instance, a coworker who missed her usual work day offered to come later in the week, but instead, I rescheduled her to come the following week. I made arrangements with my husband to take up my usual day driving daughter to dance class. So, it did take a bit of effort. But a small price to pay. I can see how if I would have been more lax, life would certainly have seen to it that I didn’t have this time to dedicate to my art, my self-development, my health. Here I was faced with the question of worth and value of these sometimes diminished rights—and it felt right to place these pursuits in a place of importance, for this short block of time anyway. If I can’t say “no” to the onslaught of outside influences for only four days, how can I expect these aspects to thrive?

So—how did I spend my time? I spent long periods in the morning journaling, and in mediation.

I was able to edit large numbers of poems, and complied a new chapbook. I submitted the chapbook to some contests, and submitted additional poems to online literary magazines.

I sat outside and ate my lunch. I reinstated my daily brisk two mile walks, which had fallen by the wayside with cold wet winter weather (perfect excuses!).

I took the time to consult the I Ching on matters relating to the direction of my writing (#14—those who act out of a place of joy can’t help but gain followers).

I studied Mary Oliver’s A Poetry Handbook” A Prose Guide to Understanding and Writing Poetry, read quite a bit of Ezra Pound, and another book about Tolkien’s work on the Oxford English Dictionary, and his wonderful ability to adapt Old and Middle English words into his stories.

I ate a lot of raw foods (salads, fruits, smoothies). I find a noticeable increase in mental clarity and energy when I eat mostly fruits and salads.

I only checked email in order to look up contest and submission info (I did take one phone call from my friend Pat Ritter).

How did I feel on Monday? Well, as though I could use two weeks of this kind of life! But really, I reentered into a busy work day with a renewed sense of ease and appreciation. My thoughts had slowed, they had a chance to stretch, and feel free. I accomplished more that usual working at a slow and steady pace. I have a clear understanding of why this is—I have taken a bit of my retreat-ness with me into my week. Not having to transition back into home, and my “usual” life, saved me from having to experience a sense of feeling let down, having to give up a strong feeling of freedom. The stay at home retreat didn’t set up such a strong contrast between “retreat life” and “regular life.” Feeling this in my own home was empowering, I know I can encounter a sense of freedom that I once thought I could only access by getting away.

I highly recommend trying this. It’s affordable, it feeds your soul, and your muse will reward you for it.

—Christy Korrow

Monday, March 22, 2010

Tour of the LILIPOH editorial office

Tools of the trade: At LILIPOH we primarily use the AP Style Guide, but keep the Chicago Manual around for trickier issues.


We just repainted the office after eight years! A soft yellow with orange undertones fosters creativity (according to Feng Shui), and a soft sage green was used for trim. According to Feng Shui research, it is good to pair an earth color with a fire color, for grounding (in Feng Shui terms, wood feeds fire).



The desk for associate editor, Kaye Williams.

Books, papers, newsletters, misc office supplies.

Recent issues of LILIPOH are handy near the desk for quick reference.


The LILIPOH archives.

Sunday, March 14, 2010

Detachment/Inner Peace

Om with laundry acting as prayer flags

Lately, Chris and I have been discussing the differences and similarities between an experience of “inner peace” and “detachment.” When we find inner peace, if only for a fleeting moment, we are detached. We are neither in the past, nor the future, but feet firmly planted in the present. We require the past to feel a loss, to lament that which has been and we require the future to yearn for what has not yet come to pass, to wish for what we are not, or what the moment isn’t. Detachment has a connotation of less warmth, it speaks of a singularity, where the moniker inner peace feels more pious, more at one with all. Yet by realizing the one in oursleves, we relaize the one in all, and by realizing the unity in all, we are greeted with our true self. Both inner peace and detachment can infuriate another by the sheer non-reactive response, the response that does not seek to please, to perform, to gain, but only to allow. Can one even disagree, without an inner rise, one can shun, love and accept, all from the state of pure detachment? There is an objective choice at play, a freedom of response from one who is married to the moment. The Mother once said, “Freedom from attachment does not mean avoiding all occasion for attachment.” This helped me to see that detachment in the sense of a spiritual aspirant does not mean aloof or cold-hearted. In fact there is a chance for a pure expression when not polluted by what we are attached to—including allowing others to feel the pain to which they are entitled. Nature is not attached, seems to be in a constant state of inner peace, and she does not seem to cry because we are cutting down so many of her trees and soiling the air she breathes--but this does not mean she is not taking action. I learn much from her in that way, I can align my identity with her’s by gazing into the woods, and suddenly, my problems seem to soften.

Thursday, March 4, 2010

Winter/ A Two-Part Poem

WINTER

I

Cold bones
bare as winter’s soil
Clenched jaw bone
teeth gnash against teeth
wondering streets
in search of a coat
to soften this icy curse
held in time, a naked
moment no deep
breath can satisfy

Stark trees hide no
embarrassment as they
reach out to touch
neighbors with whom they
share soil water and sunshine,
endure and even hold onto
each icy drop that falls
from the sky

Yesterday came around the
corner, and startled you,
in the middle of this
shivering mess, about to
use up your last match
in an attempt to light the
candle of remembrance
of deliverance
Prayer carried off by some
torrid gust extinguishing
the flame as penitence

You cry, not knowing that
flowers in spring sleep as seeds
in winter


II

Barns filled with hay
Round bales stacked two-high

Bibles on dashboards
Dusty trucks with no tailgates

Trees cover hillsides, impersonal
Passively waiting for signs of green

River makes a sharp turn
Inconspicuous, cows graze bare fields in the bottoms

More gray skies lie ahead
Threatening any cheerful sign of bird's return

Only this cemetery is not silent
One hundred-year-old corpses knocking

On graves, demanding to know
If spring has arrived

—Christy Korrow

Thursday, February 4, 2010

Turkeys

Each morning, Chris and I sit and have coffee, overlooking the empty winter fields. Often times, a flock of up to 25 turkeys emerges through the brambles and weeds that separate field from woods. Many know that Ben Franklin wanted to make these large foul the official bird of the United States. While not as majestic as the Bald Eagle, these wild turkeys certainly have a collective personality and are more commonly seen. Despite their size and awkward body shape, they can take flight to amazing heights, quickly flying into woods, somehow managing to navigate or crash through the thick lattice of branches.


Photos by Chris Korrow